An Interview With Jesse Beaman of My Empty Phantom

The following interview took place via E mail in March 2011

1. Basic bio stuff. Who you are and what you do? How long have you been doing this? Where you are from? What releases do you have available, where can people find them? Things like that. 

- My name is Jesse Beaman. I'm a twenty three year old musician/artist living in Austin, Texas. I'm from many places at heart but living in Texas for over ten years. I was born in Miami, Florida and moved to New York City in 1987. After nine years living in NYC I moved to Texas with my family and have been here since. I spend most of my time writing music, playing shows, making artwork, hanging out with friends and soon most of my time will be put into recording. I also work the Austin City Limits Live shows @ The Moody Theater when I'm not doing all the other stuff.  I've been playing music since I was in elementary, playing in bands since middle school, playing shows since high school, playing Austin shows since I was seventeen and touring since I was twenty-one. I guess I've been playing music for over ten years and really recording/touring/living the musician life for five years. I've only released limited editions of my recording and usually it's before I go on Tour when I will make copies of recordings. If you haven't picked up a CD at a show you probably won't have one. I've released three different Tour EP's. One in 2008, 2009, & 2010. I've always had trouble finishing the process of getting thousands of copies cause I have always picked tour funding over recording funding. But since all the touring has been great it's almost a must to make a full length that can be available to anybody around the world, which is the plan for this year. I've been doing some recent recordings here and there over the past few years. I plan to pursue some of those and new ones. Also I recently have had a few of my recent shows recorded live on audio and video + working on some more video's with music. This year should be exciting as far as releasing things go. You'll be able to get everything you need online and at local record stores in Austin soon.

2. What is your personal relationship with the natural world (or Wild places or nature and environment)? What is the relationship between your music and the natural world (etc.) How much of an influence does this have on your art?

- That's a good question. I've been living in the city for over five years now but Austin is a beautiful city that cares very much about nature and natural environments.

I'm lucky to live in a city that cares so much to keep things green and natural. I find myself riding my bike on trails here and canoeing in the Colorado River in the middle of the city. I love wild places. My grandparents and mom are all about wild places. When I was really young my grandparents would take my family to Mexico to an old log cabin they owned in a cloud forest. It was epic there. The cloud forest was beautiful, green, moist, and full of wild animals. Now my grandmother has a really great old wood beach shack on a wild beach in Texas called Boca Chica. It's on the border of Texas and Mexico across the bay from South Padre Island. It is amazing. I still go there to see my family, leave the city, and to be somewhere isolated. It's great, at night you can watch huge ships go through the bay with the South Padre Island buildings lit up in the back round. It's one of the last beaches in the United States that has no hotels and restaurants on it. Perfect place to camp. I've heard from people my music is good for listening to while being in natural places but also can work for being somewhere like a city. Nature certainly inspires me to make music. Each of my songs represent something different. Usually I imagine giving someone a chance to vision something through the sounds I create with a Piano, Drums, Guitar and more. I always see nature in my music when I try to vision things. The new video's I've been creating with people I plan to include Boca Chica Beach cause I always see that place when I hear my music or when I'm performing it + a lot more nature footage. My first foot steps where on a beach actually.

3.What level of importance does the preservation of the natural world hold in your life? Where do you rank environmental issues in the grand scheme of world problems? Are there any issues in your local community that are of particular concern to you?

- I think it's very important to protect nature and natural environments. It's how we are alive. Environmental issues are important. It's important not to ignore the way we are hurting nature in the ways we live. In Austin the people here really work hard to keep natural springs, parks, and hiking trails around for everybody to be able to experience. I've been so busy playing shows, touring, and just being a twenty three year old it's been hard to dedicate a lot of time in environmental issues but it would be great to start putting on music performances that can go towards keeping places safe in Austin and even other places around the world. I do feel bad for touring sometimes cause of all the driving but when I'm back in Austin I only ride a bike and ride the bus.

4. You have done a lot of touring, are there any places that stand out to you as particularly beautiful and vibrant? Anywhere that seems particularly fragile? What can we expect from you in the near future as far as releases and touring, etc?

- I've seen some beautiful places on the road. Almost hard to put in words how moving it was to me going through these places. Northern California going straight through the Redwood Forest was probably one of the most epic things I've done. It was so beautiful and green. The trees were enormous and the rivers were strong, crashing against the rocks like ocean waves. Before entering the forest I was driving right next to giant elk that were in large numbers running across the road like deer do in Texas. I got out of the van for a walk on a beautiful beach off the coast of Northern California to watch how huge the ocean waves were. That experience is strong in my memory. I also love driving through North Carolina, Virginia, Colorado, Pennsylvania, Oregon, and Washington. All those states have highways going through beautiful places.

As far as recording and touring goes. I plan to be very busy recording, making artwork, and taking video until Summer 2011. The plan is to release my first full length record + video's & artwork before the tour that's going to start in late July. I plan on going on a full N. American Tour in support of it all. Also my older recordings will be available online soon on a few websites. 2011 is going to be a great year!

5. Since this blog started out as a book club please list a few of your favorite books!

- Lately I've been reading Blood of Brothers. It's about the civil wars in Nicaragua and the United States involvement.

Also, I've been peaking in the book This is your Brain on Music which is great.

I was a big fan of the fantasy books Lord of the Rings when I was younger.

6. Add anything thing you'd like as a conclusion.   

    Thanks Jeff!

For More Info:  www.myspace.com/emptyphantommusic
                         http://www.facebook.com/pages/Jesse-Beaman-My-Empty-Phantom/44576283924

An Interview with Andrew Weathers

I first met Andrew Weathers in January of 2008 at a show in Baltimore, Maryland.  His live performance that night was incredible, and I still remember it vividly.  I have been lucky enough to keep in touch with Andrew over the last three years. Andrew's music continues to evolve, and every time he comes to Philadelphia I am boiling over with anticipation to see what he has in store.  The website Indyweek.com said in a review of Andrew's album, A Great Southern City, "Weathers' intelligent sound design swells with a...forthcoming passion."I couldn't agree more.  The following interview was conducted via E-mail in  February 2011.

Who are you and what do you do? How long have you been doing this? Where are you from? What releases do you have available? Where can people find them?

I'm Andrew Weathers, I'm from North Carolina. I've been playing music as a serious endeavor since 2006, and I've been running Full Spectrum Records since 2008. I have one solo album, A Great Southern City out on FS, and a record by the Andrew Weathers Ensemble coming out on Sleep on the Floor in March.

What is your personal relationship with the natural world? What is the relationship between your music and the natural world? How much of an influence does this have on your art?

I remember a time I was driving to Atlanta with my friend Zach and I went on a rant on how my music is urban music and it's ridiculous to think that my music was about nature. I have moved away from this, towards thinking of my music as settled in a place between urbanity and the natural world, as is my existence. As much as I would like to get out, removed from urban life, it's just not something I get to do as much as I'd like. I think I appreciate the small places where nature and urban intersect: a creek between the highway and school, a park that's perfectly placed so that the sound of the city floats over it.

Was there a catalyst, something that made this change in thinking come about?  Or was it more of a gradual change in thinking from strictly urban music to more of a combination between urbanity and nature?

Beyond Civilization (by author Daniel Quinn) was a catalyst to make me directly conceive of the change, but the shift was pretty gradual.  

Are there any other artists that you would recommend (musicians or otherwise) who's art is strongly influenced by the natural world?

An artist who has a pretty close relationship to nature that immediately comes to mind is Annea Lockwood . I love the way she presents these well constructed works, but the natural sound is so untouched. It's like shes composing directly from the field recording, which is maybe in fact what she's doing.
Or if you look into John Luther Adams, his book Winter Sounds - it's incredible the reverence he has for Alaska, and how much that affects his music.

How often do you work with field recording, if at all?  Why or why not?

I definitely work with field recordings a lot. These are usually urban sounds - church bells, cars, street performers and the like. I use them because I love the idea of re-contextualizing our every day sonic environment. I think that's the most important thing that I've learned from Cage.

Obviously, I use urban sounds because that's where I usually find myself. I'm not drawn to music as escapism, but rather enhancement. I imagine this will continue until I live by a river in the Appalachian mountains.  

What level of importance does the preservation of the natural world hold in your life? Where do you rank environmental issues in the grand scheme of world problems? Are there any issues in your local community that are of particular concern to you?

I think it's of great importance. A book by Daniel Quinn called Beyond Civilization really drove into me that our lifestyles are killing the planet. I think his suggestion that not everyone has to step away, but a good number of us do, is apt. The book bought the possible consequences of my lifestyle to my attention - I've started to feel guilt for touring as much as I do, and I still haven't found a conclusion to solve it.  As far as community concerns, I think that here in Greensboro, what is already available is not valued. I think this is the case most places, but buildings are constantly knocked down to be replaced with poorly build housing for students, that isn't really even needed. There's recently been a massive complex go up called The Providence that flattened several working foundries, buildings that I thought were beautiful. People tried to fight it, but somehow the city council didn't listen. I just see it as wasteful to make something new & unnecessary where there was something that had life left in it.

When I first started to read Daniel Quinn's books and others with similar theories, I had a very extreme response.  I felt like my eyes had finally been opened and a thousand lightbulbs had been turned on (or off, actually).  What reaction did you have to the idea of living "beyond civilization"?

I was incredibly impressed with how well Quinn articulated concepts that has been just underneath the surface for me. I don't know exactly how feasible his lifestyle concepts are for me, or anyone else, but I really do admire them and try to incorporate them into my daily life as much as I can. It's a very slow process. 

You have done a lot of touring, are there any places that stand out to you as particularly beautiful and vibrant? Anywhere that seems particularly fragile? What can we expect from you in the near future as far as releases and touring, etc.?

Beautiful places: everywhere in the Appalachian mountains, particularly around Pittsburgh, PA and Shepherdstown, WV. Salt Flats in UT. Night driving through Arizona. West Texas, Marfa, Balmorhea. 

In North Carolina there are fewer fireflies than when I was child.

I'm touring to support this Ensemble record in the fall and into the summer, mostly East Coast, but perhaps into the Midwest some. After that, I will hopefully be moving somewhere that is not NC, can't say where yet!

If you could save one endangered species from extinction, what would it be?

Polar Bears and Indian Elephants.  

Since this blog started out as a book club please list a few of your favorite books!

Beyond Civilization, Ishmael - Daniel Quinn
On the Road, Dharma Bums - Jack Kerouac
Zen Mind, Beginners Mind - Shunryu Suzuki
The Sun Also Rises, Old Man & The Sea - Ernest Hemingway
Haunted Weather - David Toop

Thank you so much for doing this interview Andrew, add anything thing you'd like as a conclusion.

Thanks Jeff for asking me to do this - it's wonderful to get an opportunity to think about the different contexts that my work must exist in. 

Contact Andrew Weathers:  http://www.andrewweathers.com/

                                           http://www.fullspectrumrecords.com/